Titlebook: Beyond the Graven Image; A Jewish View Lionel Kochan Book 1997 Lionel Kochan 1997 Christianity.god.Islam.Judaism.religion

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Spartan

Man in His Image,sclose ethical relevance to an apparent matter of aesthetics. Here, and more so than in any other context, artistic autonomy is circumscribed; the artist would otherwise, like Medusa, turn to stone whatever his gaze alights on. In Jewish terms, Medusa removes the distinction between man and inert nature.

Deceit

Book 1997 and Athens? How do these issues relate to the iconoclastic movements in Byzantine Christianity and the Reformation? Lionel Kochan makes clear that to the prohibition of the graven image there is more than meets the eye.

污穢

真實(shí)的你

Vas Taras PhD,Tim Muth MBA,Beth Gitlin MBAtent with, and in fact inseparable from, the struggle against idolatry is already evident in the instructive contrast with the guarded and at times negative relationship to what is made visible, whether as image, symbol, artifact, soil, natural phenomenon or simply ‘the holy’.

Dedication

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ORBIT

https://doi.org/10.1057/978-1-137-51954-2reject the one is tantamount to the acceptance of the other, and vice versa: ‘Whoever acknowledges idolatry is as one who repudiates the whole . and whoever repudiates idolatry is as one who acknowledges the whole .’.

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The Biblical Challenge,reject the one is tantamount to the acceptance of the other, and vice versa: ‘Whoever acknowledges idolatry is as one who repudiates the whole . and whoever repudiates idolatry is as one who acknowledges the whole .’.