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Titlebook: Beyond the Biophysical; Knowledge, Culture, Laura A. German,Joshua J. Ramisch,Ritu Verma Book 2010 Springer Science+Business Media B.V. 20

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樓主: patch-test
31#
發(fā)表于 2025-3-26 22:50:53 | 只看該作者
,Der Schwank als ?einfache Form‘,ent to achieve systems’ goals. Typically, systems adapt and evolve during their lifetimes, which requires updating simulation models?and analysis as new data arrives or conditions change. The dynamics of environments under which DTs commonly operate necessitate using a paradigm that can deal with th
32#
發(fā)表于 2025-3-27 04:23:46 | 只看該作者
33#
發(fā)表于 2025-3-27 06:23:33 | 只看該作者
34#
發(fā)表于 2025-3-27 11:29:28 | 只看該作者
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發(fā)表于 2025-3-27 14:21:11 | 只看該作者
36#
發(fā)表于 2025-3-27 20:33:13 | 只看該作者
Lars C. Stene,Ake Lernmarkillnesses, as a major public health problem, have raised particular concerns since some infectious agents have been associated with different types of chronic diseases, including cancer. Although cancer development can be multi-factorial in origin, several types of solid organ or hematologic cancers
37#
發(fā)表于 2025-3-27 22:55:07 | 只看該作者
38#
發(fā)表于 2025-3-28 06:04:29 | 只看該作者
The Neck,clefts. Emphasis is made on the clinical corollaries of thyroid and parathyroid gland development. The anatomical substrate for the various presentations of thoracic outlet syndrome is explained, as are the relationships between the spaces in the neck and propagation of disease processes. The vascul
39#
發(fā)表于 2025-3-28 07:30:12 | 只看該作者
A Commentary on a Diagrammatic Presentation of the Angiosperms in Relation to the Distribution of Chships is first emphasized. However, the method can be used to demonstrate the distribution of character states. The distributional patterns of a number of character states are presented with brief comments, viz. sympetaly, epigyny and perigyny, centrifugal succession in multi-staminate androecia, po
40#
發(fā)表于 2025-3-28 10:34:21 | 只看該作者
Artistic Diplomacy: On Civic Engagement and Transnational Theatreeatre institutions. While the Italian commedia dell’arte, the French théatre de la foire or the German Wandertruppen frequently appear as marginalised, itinerant phenomena in theatre histories, the public city, state or national theatres of these three countries embody aristocratic patronage, bourge
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