Titlebook: Beyond Principles and Parameters; Essays in Memory of Kyle Johnson,Ian Roberts Book 1999 Springer Science+Business Media Dordrecht 1999 In

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https://doi.org/10.1007/978-1-137-57202-8nterest ultimately resides in the fact that they open a window on the formation of arguments; they allow us to better understand how argument structures are formed and how they are syntactically projected.

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https://doi.org/10.1007/978-1-137-57202-8pointed out by Perlmutter (1970), the fact that they can also occur in simple transitive structures, as shown in (2), has led many syntacticians to posit the existence of two subcategorization frames for these verbs..

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https://doi.org/10.1057/9781403938404Fukui and Speas (1986), Abney (1986), and Kuroda (1988) propose a parallel analysis for the subject of NP: it is generated within NP and is moved to DP Spec. The S-structures of (1a-b), then, are as in (2a-b), respectively..

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International Relations After 1989, presence of a triggering element, namely an operator in Comp (a wh-word or its trace) or a subjunctive mood (which might also be analyzed as an operator in Comp). Such a construction, illustrated in (1c-e), is known as stylistic-inversion..

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Clitic-Doubled Arguments,nterest ultimately resides in the fact that they open a window on the formation of arguments; they allow us to better understand how argument structures are formed and how they are syntactically projected.

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The Selection Properties of Aspectual Verbs,pointed out by Perlmutter (1970), the fact that they can also occur in simple transitive structures, as shown in (2), has led many syntacticians to posit the existence of two subcategorization frames for these verbs..

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Subject Predication within IP and DP,Fukui and Speas (1986), Abney (1986), and Kuroda (1988) propose a parallel analysis for the subject of NP: it is generated within NP and is moved to DP Spec. The S-structures of (1a-b), then, are as in (2a-b), respectively..

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Word Order in Spanish and the Nature of Nominative Case, presence of a triggering element, namely an operator in Comp (a wh-word or its trace) or a subjunctive mood (which might also be analyzed as an operator in Comp). Such a construction, illustrated in (1c-e), is known as stylistic-inversion..