Titlebook: Beyond Media Borders, Volume 1; Intermedial Relation Lars Ellestr?m Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021

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Multimodal Acting and Performingineates a technical infrastructure that suggests new insights into the actor’s work. Is the actor’s mode of performing expressed, shaped or constrained by the shifting media modalities in which her or his work is conveyed? The chapter examines instances of performances in theatre, in film, in ‘reality trend’ events and online.

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Truthfulness and Affect via Digital Mediation in Audiovisual Storytellingtualization and cognitive research findings. It also analyzes the various forms of digital mediated images in films over the last two decades and sheds light on how the functions of truthfulness and affective engagement can be closely intertwined rather than in conflict.

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Book‘‘‘‘‘‘‘‘ 2021involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and clarify how the concepts developed in Ellestr?m’s influential article .The Modalities of Media: A Model for Understanding Intermedial Relations. (Palgrave Macmillan, 2010) can

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The Modalities of Media II: An Expanded Model for Understanding Intermedial Relations It suggests an elaborated theoretical framework for distinguishing the multimodal character of media products, which are understood as those entities and phenomena that make inter-human communication possible. It offers a foundational model for describing and analysing the most basic similarities,

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A Recalibration of Theatre’s Hypermedialityorms. This chapter pursues Lars Ellestr?m’s notion that theatre is indeed highly multimodal and integrates many basic and qualified media, prompting a recalibration of current definitions of a hypermedium incorporating all arts and media. The author contends that, alongside the significance of mater