Titlebook: Beyond Immersive Theatre; Aesthetics, Politics Adam Alston Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 audience particip

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Book 2016hdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre..

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Exchange-Rate Management and Policy immaterial production in the neoliberal economy, along with the cultural resonances of narcissistic participation, revealing the close imbrication of aesthetics and politics while immersed in the box’s interior.

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Exchange-Rate Management and Policyenge a particular casting of fun and pleasure in the experience economy and undermine the derivation of profit and value from the seductions of neoliberalism by remaining sensitive to the politics of immersive theatre aesthetics, and especially the politics of productive participation.

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