Titlebook: Beyond Arthurian Romances; The Reach of Victori Lorretta M. Holloway,Jennifer A. Palmgren Book 2005 Palgrave Macmillan, a division of Natur

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性行為放縱者

,“And the golden halls were dumb”: Norse Fatalism and Mourning in Matthew Arnold’s ,ternal social order in which landowners sat at table with the men who tilled their land.. Medieval Norse literature offered Victorian readers an experience more fraught with violence that exemplified a masculine yet uncorrupt culture of warriors. William Morris’s . celebrates a dragon slayer’s valor

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,Lessons from the Medieval Convent: Adelaide Procter’s “A Legend of Provence”, the Married Women’s Property Act. Even though this petition eventually failed, the process of collecting the signatures proved to have long-term benefits, for, as Bessie Rayner Parkes acknowledges in “A Review of the Last Six Years,” “people interested in the question were brought into communicatio

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,“The Worship of Courage”: William Morris’s , and Victorian Medievalism,ork that, first and last—putting aside the eagerness of the moment which sometimes gives all precedence to the work in hand—he held most highly and wished to be remembered by.”. Today William Morris is remembered for many things, but . is rarely one of the foremost of them. The poem’s very title is

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,The Gallows Nightingale: Swinburne’s Translations of Villon,-purpose sentimentalized “prettiness” loosely, and unfairly, associated with the Pre-Raphaelites, and the “dream worlds” painted by J. W. Waterhouse and other artists who followed the lead of Edward Burne-Jones.. There certainly is Victorian literature, art, and even fashion that support this view,

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,Where Medieval Romance Meets Victorian Reality: The “Woman Question” in William Morris’s ,res as well as his political and artistic endeavors toward re-creating what he and many others viewed as a more humane, graceful approach to living. Regarded as the father of the Utopian fiction that became a staple of Victorian fantasy, Morris was a Renaissance man whose undertakings in design, lit

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The Performance of Victorian Medievalism,or in the ease with which Victorians played at and played with the medieval tournament was the essentially performative and doubled nature of the original event. Louise Fradenburg’s account in . of the way in which monarchs used the performance space of the tournament field variously for public ente

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What is a Man?: The Refuting of the Chivalric Ideal at the Turn of the Century,ation and man’s place within it. The losses in the imperial wars had led people to question the basic Victorian concept of progress, whereas democratic reforms had begun to erode the old power structures within society, and new laws concerning marital property and divorce had changed the balance of

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Michael Norval,Zenghui Wang,Yanxia Sunistorical medieval text.. As Clare A. Simmons asserts, Victorian medievalism focuses on “the individual’s needs and desires” rather than in “discovering the authentic past.”. Thus, everything about this “history” became a matter of interpretation, not an “authentic past” but an authentic fantasy.