Titlebook: Between Two Worlds; Aspects of Literary A. E. Dyson Textbook 1972Latest edition A. E. Dyson 1972 Analyse.critique.drama.Imagination.Interp

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袖章

,Virtue Unwavering: Milton’s ,ntral to . and ., can be found in this early and glorious masque. By now it has had much critical attention, but certain accounts of a quarter of a century ago still prescribe the terms of debate. A full and valuable analysis was offered by A. S. P. Woodhouse in his article ‘Argument of Milton’s .’,

異端邪說(shuō)2

,The Last Enchantments: Arnold’s ,insult to the poem we know. Confusion there may be, and even debility, but these Arnold shared by and large with his age. I shall not claim here that his work is as great as the other five to be dealt with, or that Victorian agnosticism could, by its nature, produce the highest art. But Arnold is no

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我不怕?tīng)奚?/a>

,The Stranger God: Mann’s ,.. This sudden vision of tiger and swamp overtakes Aschenbach in a mood of tiredness. He is successful, honoured, supremely disciplined and self-disciplined, and nearing sixty. The temptation is to relax, but the vision is primitive. Prudently, he decides not to go ‘a(chǎn)ll the way to the tigers’, but t

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chance

GUEER

Eagles and Trumpets: ,rm. This chapter might be appended to almost any as a coda, since it seeks to isolate a matter of general application to the literary art. What I want to explore in fact is this: none of the rich emotions aroused in us by literature or drama exactly resembles the appropriate emotion in our lives. Th

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https://doi.org/10.1007/978-1-349-01309-8Analyse; critique; drama; Imagination; Interpretation; literary studies; realism; rhetoric; structure; time

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