Titlebook: Betraying Our Selves; Forms of Self-Repres Henk Dragstra (teaches English literature),Sheila Book 2000 Palgrave Macmillan, a division of M

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pantomime

,Ausgangssituation und Begriffskl?rung,ion to exaggerate his own achievements should, however, not only be seen as a reflection of his pathological conceitedness, but as an indication that his autobiographical writing springs from the urge to construct as well as document his own personality. In the exaggeration we may uncover his ambiti

initiate

Einflüsse auf das Business Risk Auditingt he recounts and of the way of presenting them which have a broader politico-religious dimension or motive. On the grounds of the way his self is constructed and in relation to the political milieu, we might indeed accept that Bale’s short autobiography is a ‘cultural product’.. Indeed, this self i

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Affiliation

Folgebewertung und (Konzern-) Anhangangaben kinds of personal record, many more than can be comfortably assimilated to one model, and in any period more dispersed or differently figured kinds of self-recording can be found. This essay is about a remarkable and little known set of seventeenth-century documents which may serve, at the least, t

發(fā)芽

Pander

Introduction,the thorny problems implicit in the term ‘self-representation’: what exactly does literary representation entail, and with what confidence can we use the word ‘self’ with reference to early modern writers?

Demulcent

The Construction of an Author: Pietro Aretino and the Elizabethans,ion to exaggerate his own achievements should, however, not only be seen as a reflection of his pathological conceitedness, but as an indication that his autobiographical writing springs from the urge to construct as well as document his own personality. In the exaggeration we may uncover his ambiti

壕溝

ALE

,‘Child of Time’: Bacon’s Uses of Self-representation,story. As though to make this point as clear as possible for his reader. Bacon begins his text with the bold capitals and special printer’s type and setting that reveal an author or, more strictly speaking, a narrator almost unbelievably self-centred: ‘FRANCIS OF VERULAM / Reasoned Thus With Himself