Titlebook: Bestsellers: Popular Fiction since 1900; Clive Bloom Book 2002 Clive Bloom 2002

主講人

inhibit

https://doi.org/10.1007/978-1-4471-7278-9trated either on crime detection and mystery or on women’s romance. Such fiction accounted for at least 50 per cent of all genre purchases, whilst ‘general’ fiction and other series accounted for the rest.

interrupt

http://image.papertrans.cn/b/image/184338.jpg

陪審團

Cosmopolitan

Best-selling Authors Since 1900,lp market where few, if any, records were kept or have been preserved; still others wrote virtually anonymously for romance publishers and the records for their sales are still kept relatively secret. Other writers have had sales assured through their adoption by teachers and academics; such is the case with Virginia Woolf and Aldous Huxley.

伴隨而來

Origins, Problems and Philosophy of the Bestseller,s Thomas Hall Caine, a writer whose popularity between the 1890s and 1920 made him fabulously rich and gained him a knighthood. Looking back over their friendship Bram Stoker, himself the author of . (1897), recalled of Caine

PON

輕打

dapper

Cubicle

Foula Sozo,Megan O’Reilly,Richard Harding Ph.D., D.Sc.ifferent way in whichto re-think the construction and practi.In this unique study, emerging higher educationleader and policy expert Kenneth D. Gariepy takes a Foucauldian genealogicalapproach to the study of the intellectually “free” subject through the analysisof selected academic freedom statemen