Titlebook: Bestsellers: Popular Fiction Since 1900; Clive Bloom Book 2021Latest edition The Editor(s) (if applicable) and The Author(s), under exclus

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Literature for Children,The first edition of .s did not deal with the children’s book as a bestselling phenomenon, but this needs to be addressed in this edition. Nevertheless, despite bookshops setting aside large amounts of space for them and prizes being available for their authors the very idea of writing for children alone has been hotly contested by critics.

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Clive BloomFeatures a comprehensive list of all bestselling fiction titles since 1900.The only introductory text on the relationship between publishing, the reading public, bestselling genres and authors.Ask que

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https://doi.org/10.1007/978-3-030-79154-41900; bibliography; edition; English literature; fiction; history; history of literature; Imagination; knowl

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978-3-030-79153-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Bestselling Authors Since 1900,e with Virginia Woolf and Aldous Huxley. Such patterns of authorship and publishing have not substantially changed in the twenty-first century. What has grown is the internationalisation of the book trade, its relationship with other media (the most obvious example being the merger of Time Warner an

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Origins, Problems and Philosophy of the Bestseller,isitor to one of London’s political clubs saw the Prime Minister, W. E. Gladstone, sitting quietly in a corner engrossed, not in some work of political or philosophical importance but in a romantic novel, . by Rhoda Broughton (1840–1920).

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How the British Read,his had gradually fallen to around 2% for either sex by 1907. The literacy test was simple and negative, for if you could not sign your name on a marriage register you were deemed illiterate. By 1914 this figure was reduced to 1%. By such determinants Britain became almost a fully literate country b