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Titlebook: Bertolt Brecht; Ronald Speirs Textbook 1987Latest edition Macmillan Publishers Limited 1987 Bertolt Brecht.Brecht.Inuit.Marx.play

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樓主: Encomium
11#
發(fā)表于 2025-3-23 11:44:46 | 只看該作者
12#
發(fā)表于 2025-3-23 16:22:27 | 只看該作者
https://doi.org/10.1007/978-3-642-84278-8lay with fire without getting burnt. The place of its composition fed into the play in a number of ways. The need to give such warning was borne in on Brecht by his perception that the Scandinavians were prepared to collaborate with Hitler’s preparations for war in the expectation of profit and in t
13#
發(fā)表于 2025-3-23 21:55:21 | 只看該作者
14#
發(fā)表于 2025-3-23 23:07:10 | 只看該作者
15#
發(fā)表于 2025-3-24 03:21:00 | 只看該作者
Inkontinenz- und Deszensuschirurgie der Frau to write a play she could perform on Broadway, a commission which prompted him to cast in theatrical form a story he had written some years previously (‘The Augsburg Chalk Circle’). Initially the commission inspired him with little enthusiasm ‘in this empty place, devoid of wishes’. Only a week aft
16#
發(fā)表于 2025-3-24 09:22:29 | 只看該作者
https://doi.org/10.1007/978-3-642-84278-8ar’ (CM, 68) — had particular relevance to Germany’s less powerful Northern neighbours, as did its setting in the Thirty Years War (1618–1648), a war in which Scandinavian countries (particularly Sweden) were embroiled and which cost Europe dearly in both life and property.
17#
發(fā)表于 2025-3-24 11:21:07 | 只看該作者
Mother Courage and her Children,ar’ (CM, 68) — had particular relevance to Germany’s less powerful Northern neighbours, as did its setting in the Thirty Years War (1618–1648), a war in which Scandinavian countries (particularly Sweden) were embroiled and which cost Europe dearly in both life and property.
18#
發(fā)表于 2025-3-24 16:24:15 | 只看該作者
19#
發(fā)表于 2025-3-24 20:35:05 | 只看該作者
Urodynamische Evaluation der Inkontinenzular, immediate purpose, determined to make no ‘concessions’ to prevailing audience expectations. Having made ‘a(chǎn) great step backwards in technique’ with ., written ‘for the bottom drawer’ (SM, 13), was to be based much more uncompromisingly on the principles of Epic Theatre.
20#
發(fā)表于 2025-3-24 23:26:25 | 只看該作者
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