Titlebook: Bernard Shaw’s and Virginia Woolf’s Interior Authors; Censored and Modern Lagretta Tallent Lenker Book 2024 The Editor(s) (if applicable)

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https://doi.org/10.1007/978-3-031-49604-2Bernard Shaw; Virgina Woolf; Modernism; Censorship; Social reform; Fabian Society; Women’s rights; Interior

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978-3-031-49606-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Conclusion,nd page, and written works are censored, praised, and/or hidden. Interior authors, the most predominant fictional writers of Shaw and Woolf, share many common traits, especially as the proclaimers of their authors’ messages.

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Introduction,espective plays and novels: their creation of characters who either self-censor their own work or who are censored by their fellow characters. Against the dialectic of censorship and modernism that shaped the work of Shaw and Woolf, their fictional authors may be considered as reflections of their c

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,Bernard Shaw’s Novels—Emergent Interior Authors,or authors, who, like their creator, write in various forms and genres. These characters feel the sting of censorship, albeit in differing degrees from those in Shaw’s dramas. I identity Shaw’s early interior authors as Robert Smith in ., Elinor McQuinch in ., Lydia Carew in ., and Sidney Trefusis i

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,Shaw’s Novels—Dramatic Narratives,Trefusis thrive as early interior authors who carry Shaw’s message of anti-censorship, the reformation of the novel, and social justice. The chapter closes with a look at Shaw’s growing aversion to the novel form.

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