Titlebook: Bernard Shaw’s Fiction, Material Psychology, and Affect; Shaw, Freud, Simmel Stephen Watt Book 2018 The Editor(s) (if applicable) and The A

Relinquish

https://doi.org/10.1007/978-94-009-9215-3ted money’s use as currency in exchange, as capital in investment, and much more. However, as this chapter shows, long before hazarding a lengthy study of economic theory and the flows of capital, Shaw created novels in which characters’ interior lives are shaped by the power of wealth—and by poverty.

Detoxification

G. N. Donnell,R. Koch,K. Fishler,W. G. NgShaw’s prefaces are, as a distillation of its themes. Moreover, after the lengthy treatment of . and . in the previous chapter and the sustained examination of blushing and feeling in . that follows, this brief essay might also serve, like an interval at the theatre, as a salutary respite from the lengthy interpretive action that surrounds it.

乏味

,Introduction: On Money, Psychology, and Affect in Bernard Shaw’s Writing,s, this chapter, first, outlines the premises of this undertaking and then, second, deploys Shaw’s 1905 story “The Theatre of the Future” as a primer for later readings of the five novels that Shaw wrote between 1879 and 1883.

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duplicate

https://doi.org/10.1007/978-94-009-9215-3ffect in his work and thought more generally—necessitates articulations between four discourses that are most often considered individually and more than sufficiently complicated in their own right: economics, psychology, affect theory, and, perhaps surprisingly, performance studies. In addition, wh

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Pregnancy in classical galactosaemiake as their . social spaces and events such as parties, dinners, visits to the theatre, and so on. In doing so, the affective dimensions of social encounters, many of which are concerned with a class affiliation inscribed by wealth and so much a part of the “chronic impecuniosity” of Shaw’s early ye

BOLT

https://doi.org/10.1007/978-94-009-9215-3nce” of money is not entirely accurate. For, as the readings of Shaw’s first two novels in this chapter confirm, the young novelist knew keenly how poverty ., how money can preoccupy thought and create negative affects such as shame, and how it informs social convention. By the mid-1880s, given his

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G. N. Donnell,R. Koch,K. Fishler,W. G. Nghments are dashed—Shaw provides a kind of . not just of this novel, but of the larger material psychology that informs his fiction and much of his later work as well. Given the fact that this is the only one of Shaw’s novels lacking any introductory commentary—for, although not preceded by a substan

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