Titlebook: Bernard Shaw’s Bridges to Chinese Culture; Kay Li Book 2016 The Editor(s) (if applicable) and the Author(s) 2016 nineteenth-century litera

別炫耀

Sir Robert Ho Tung and Idlewild in , seen by the Chinese, and also how he saw the Chinese and wrote them into .. The Chinese shrine inside the Ho Tung residence became the Chinese temple setting in the play, a temple for Shaw’s advocacy of the Life Force and Creative Evolution, with Sir Robert as the prototype of Bill Buoyant.

構(gòu)想

小故事

Bernard Shaw’s Bridges to Chinese Culturebig picture, as its multi-focused vantage point makes it possible for different subjects to be considered simultaneously and in parallel to each another. The Chinese angles continue to form strategic cultural bridges reflecting both specific needs and usages in China, and also how that vast country would like to be seen from a global perspective.

Digest

顛簸地移動

pulse-pressure

acrophobia

Shaw and the Last Chinese Emperor, Henry Pu-yi Aisin-Gioro .. A survey of Dickens in China shows that his works made their way into the country over contextual bridges that enabled the Chinese to discover a specific, nearly targeted relevance. Yet the playwright’s prescription of a Superman in . could not happen that readily in real life.

我的巨大

Ointment

Predigest

Chinese Film Adaptations of Shaw’s Playsinese films have reached the world’s screens, and Chinese works are adapted successfully in big Hollywood productions. Yet there is still room for egalitarian exchanges in the true spirit of cross-culturalism, in which Orientalism and othering give way to mutual respect and learning in cross-cultural encounters.