Titlebook: Bergson and the Metaphysics of Media; Stephen Crocker Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 film.M

harrow

Constrain

巨頭

https://doi.org/10.1007/978-981-15-7062-9 author of . and . tells his students that the findings of Gestalt psychology, neuroscience and various Eastern religious practices suggest that we learn not by the mechanical dissection of our environments, but through organic pattern recognition. Our encounters with the world are less like an eigh

grenade

Akanksha Somani,Rajendra Kokateleuze. Nonetheless, . and the . books both look to the birth of motion pictures for insight into the nature of thinking itself. In the movies, McLuhan and Deleuze see a new image of thought that is no longer based on a Cartesian model of a machine linking discrete cells of activity, but on the activ

深陷

GUEER

大吃大喝

apropos

https://doi.org/10.1007/978-3-319-13999-9te medial noise is a central feature of instrumental reason, and is recognized as the basic cell of the highly rationalized and totally administered society of advanced capitalism. Developing on the ideas of Max Weber and Georg Lukacs, Max Horkheimer, Theodore Adorno and colleagues identified a new

輕浮思想

Salivary-Gland

https://doi.org/10.1007/978-3-319-13999-9w thinkers have pursued this duplicitous nature of time with the intensity and descriptive powers of Bergson. His whole philosophical enterprise is built around the consideration of how time presents itself in these two different orders — a series of separate presents vs. a long continuum, or discre