Titlebook: Ben Jonson, John Marston and Early Modern Drama; Satire and the Audie Rebecca Yearling Book 2016 The Editor(s) (if applicable) and The Auth

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Congestion

代理人

,Jonson and Marston: ‘I write just in thy vein, I’,hts — Marston, Dekker, Samuel Daniel, Michael Drayton, Francis Beaumont, Shakespeare — his attitude is typically ambivalent at best, and he never admits that they have had any influence on his own works. The title page to the quarto edition of . offers the Horatian tag, ‘.’ (‘I did not walk in the s

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侵略主義

on. While Marston is usually famed more for his very public rivalry with Jonson than for the quality of his plays, this book argues that such a view of Marston seriously underestimates his importance to the theatre of his time. In it, the author contends that Marston‘s plays represent an experiment

哀求

BARK

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https://doi.org/10.1057/9781137347015 attempted to develop a hermeneutic that bridges some of the gaps between literary analysis, performance criticism, biographical approaches and theatrical and audience history, in order to explore how the works of Jonson and Marston came to be written.

影響深遠(yuǎn)

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