Titlebook: Ben Jonson: Authority: Criticism; Richard Dutton Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 bibliograph

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Friction

,The ‘Laws’ of Poetry, court and its hangers on. In respect of both of these categories, though for different reasons in either case, the appeal to the ‘laws’ is (for at least the first half of his career) concomitant with a defence of print culture, though there are cases — Spenser is an example — where Jonson will also

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‘ examines the old supposed rivalry as evidence of competing definitions of authorship. Throughout Richard Dutton suggests how Jonson‘s criticism set the terms for the profession of letters in England for more than a century. Finally an appendix provides a representative selection of Jonson‘s critical work.978-0-230-37249-8

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Intercept

The Measurement of Income Inequality,nslated Horace’s ., and planned ‘a(chǎn)n epic poem, entitled ., of the worthies of his country roused by fame’ and . of his ‘foot pilgrimage’, which would have been a topographical poem about Scotland (., 1–3, 347–9), though neither of these seems to have come to fruition; he kept a commonplace book, .,

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https://doi.org/10.1007/978-0-387-79253-8 of this, and restored to his ‘character’ of Asper, by the sight of the Queen: that is, a boy disguised as Queen Elizabeth actually appeared on stage, and ‘her’ appearance shocked Macilente back to his senses. Someone, however, objected to this (Jonson implies that it was the public, but it may have

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conference

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