Titlebook: Being Kipling; William B. Dillingham Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 English.identity.Rudyard Kipling

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Informational Aesthetics Measures,ical and social lethargy” who worshipped only at the altar of “art— that is, literary art.”. The picture that Beresford paints is that of a sort of teenage Aubrey Beardsley, more of a velvet-jacket type than a roughrider of the Teddy Roosevelt variety (which he was destined to become, at least in ou

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N. D. Aakvaag,B. Lacaze,A. Duverdierles that deal with the same kind of character, a young boy living with his English parents in India. In fact, by 1893, when “The Son of His Father” first appeared, Kipling had become something of a specialist in depicting sensitive, precocious, somewhat spoiled English youths in India who do surpris

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N. D. Aakvaag,B. Lacaze,A. Duverdierhough he selected two other nonfictional prose writings that he had previously published—“Winning the Victoria Cross” and “The Burning of the Sarah Sands”—for ., “An English School” is the only work in the volume that is overtly autobiographical. Unless Kipling’s underlying purpose for the collectio

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Being Stalky,the mothballs of literary storage to include it in . In doing so, he dropped the four lines from a ballad by Sir Walter Scott with which he had prefaced the story in the magazines. and substituted the following remarks:

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