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Titlebook: Behind the Screen; Inside European Prod Petr Szczepanik,Patrick Vonderau Book 2013 Petr Szczepanik and Patrick Vonderau 2013 Europe.film.fi

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樓主: 存貨清單
41#
發(fā)表于 2025-3-28 16:56:33 | 只看該作者
Magdalena Kazubowski-Houston,Mark Auslandere laboratory and the studio for instance.. By considering artworks as objects, the socio-material perspective questions the traditional distinction between the sociology of art and art studies. I will therefore begin this chapter by outlining this distinction and by suggesting that it should be tran
42#
發(fā)表于 2025-3-28 19:04:42 | 只看該作者
Alexandrine Boudreault-Fourniern one’s further work opportunities. Or, the converse, career considerations can affect how films are made in terms of who works on them and what resources, skills, tastes, and perspectives are brought into and used in a production. Sometimes the interrelation of these considerations remains latent.
43#
發(fā)表于 2025-3-28 23:16:47 | 只看該作者
In Search of Marie-Antoinette in the 1930s, explained several times, corrected, and modified. And most of the time, this is achieved by means of relays (assistants, stand-ins) who rarely appear in the finished film. These moments of rehearsal and demonstration are always very intense but relatively difficult to describe in a simple notebook
44#
發(fā)表于 2025-3-29 05:31:33 | 只看該作者
https://doi.org/10.1007/978-3-030-14600-9ns of the images of the camps, study the multiple references of the musical score, and enter the film editing room? These problems had to be solved with time. As well as the archives I was used to analyzing—contracts, budgets, various stages of screenplay development, correspondence—I also had to an
45#
發(fā)表于 2025-3-29 08:50:43 | 只看該作者
’ self-determination’ and Violencenternationally competitive strategies. At the same time, Czech films and Polish films have attracted sizable audiences in their respective domestic markets, and production facilities located in the Czech Republic and Hungary have become important destinations for the runaway productions of American,
46#
發(fā)表于 2025-3-29 13:19:25 | 只看該作者
47#
發(fā)表于 2025-3-29 19:31:00 | 只看該作者
48#
發(fā)表于 2025-3-29 23:28:28 | 只看該作者
Introduction, derived from the original Latin term ., the first one broadly referring to the resulting work of human labor, while the second being the equivalent of a famously influential Marxian theorem describing an ensemble of operations that facilitate, by way of combination and transformation, a reproducti
49#
發(fā)表于 2025-3-30 00:59:39 | 只看該作者
50#
發(fā)表于 2025-3-30 06:05:46 | 只看該作者
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