Titlebook: Behind the Screen; Inside European Prod Petr Szczepanik,Patrick Vonderau Book 2013 Petr Szczepanik and Patrick Vonderau 2013 Europe.film.fi

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書目名稱Behind the Screen影響因子(影響力)




書目名稱Behind the Screen影響因子(影響力)學(xué)科排名




書目名稱Behind the Screen網(wǎng)絡(luò)公開度




書目名稱Behind the Screen網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱Behind the Screen被引頻次學(xué)科排名




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書目名稱Behind the Screen年度引用學(xué)科排名




書目名稱Behind the Screen讀者反饋




書目名稱Behind the Screen讀者反饋學(xué)科排名

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Global Cinemahttp://image.papertrans.cn/b/image/182940.jpg

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2634-5951 f practice, the languages, grammars, and poetics of film, practical theories of production systems such as film dramaturgy, and the self-theorizing of European auteurs and professionals.978-1-349-44851-7978-1-137-28218-7Series ISSN 2634-5951 Series E-ISSN 2634-596X

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Magdalena Kazubowski-Houston,Mark Auslander Production Culture. Industrial Reflexivity and Critical Practice in Film and Television

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A Flexible Mode of Production: Internationalizing Hollywood Filmmaking in Postwar Europen May of 1961, director Vincente Minnelli was preparing the production of ., part of which he planned to shoot in Rome. Hollywood filmmaker Jean Negulesco wrote to Minnelli, offering some advice on working in Italy, where Negulesco had made portions of . and ., and was at the time producing his next film, . Negulesco wrote:

有助于

Book 2013Conceptualizing production studies from a European perspective, the book evaluates the history of European thought on production: theories of practice, the languages, grammars, and poetics of film, practical theories of production systems such as film dramaturgy, and the self-theorizing of European auteurs and professionals.

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