Titlebook: Beckett, Deleuze and the Televisual Event; Peephole Art Colin Gardner Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limi

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Advances in Intelligent and Soft Computing text in the latter’s overall cinematic taxonomy. Deleuze uses it as a reverse proof of the three varieties of movement-image through their progressive extinguishing or exhaustion, moving in reverse order from the action-image, through the perception-image, to the affect-image. However, Deleuze has

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W. Sieklicki,M. Ko?ciuk,S. Sieklicki which was first transmitted in Germany by SDR in October 1981 under Beckett’s own direction as ... As Herren notes, ‘Beckett defines . as “A piece for four players, light and percussion”, giving equal billing to each element, and treating no element as more important — let alone more “human” — than

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Book 2012An expressive dialogue between Deleuze‘s philosophical writings on cinema and Beckett‘s innovative film and television work, the book explores the relationship between the birth of the event – itself a simultaneous invention and erasure - and Beckett‘s attempts to create an incommensurable space within the interstices of language as a (W)hole.

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https://doi.org/10.1057/9781137014368Beckett; cinema; film; philosophical writing; philosophy; television; video; British and Irish Literature