Titlebook: Beckett, Deleuze and Performance; A Thousand Failures Daniel Koczy Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Deleuze.

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https://doi.org/10.1007/BFb0110449rformance theory. Beginning with an account of Samuel Beckett’s ., it argues that Beckett’s theatrical practices are guided by a desire to create encounters with an indeterminate and unthinkable chaos which is opposed to the very possibility of meaning. It also argues that Gilles Deleuze’s conceptio

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iPSC-Derived Corneal Endothelial Cellsect. By examining Beckett’s interest in Dante’s Belacqua, his . and ., it argues that the body in performances of Beckett’s work undergoes becomings, and a becoming-animal, through the precise limitation of affect and through the fabrication of carefully restricted assemblages. Inventing the concept

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iPSCs-Based Therapy for Trabecular Meshworkeckett’s . and through the idea of a presence . absence in Beckett’s work. Examining ., . and ., it invents a new concept—belacquobatic secrets—and sees this concept undergo variations as it tries to diagnose how relations of non-relation are established in performances of Beckett’s work. Further, i

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Qingjun Zhou,Zongyi Li,Haoyun Duanlterity of it throughout its own philosophical investigations. It argues that the study’s method provides guidelines and provocations for future research in Performance Philosophy and that its concepts may be of use in performance theory and the field of Beckett studies. Finally, it argues that the

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Daniel KoczyPresents fresh readings of Beckett’s own aesthetics and later theatrical work.Offers new tools for thinking about affect and the body in performance.Helps satisfy Performance Philosophy’s need for new

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2947-5589 s. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practiceas an ongoing struggle to think with immanence..978-3-030-07072-4978-3-319-95618-3Series ISSN 2947-5589 Series E-ISSN 2057-7176