Titlebook: Battlefield Emotions 1500-1800; Practices, Experienc Erika Kuijpers,Cornelis van der Haven Book 2016 The Editor(s) (if applicable) and The

FUSE

注意力集中

Deflecting the Fire of Eighteenth-Century French Battle Paintingreign. A visual emphasis on the expression of furious passions and emotions contradicted the idealising beauties of neoclassicism. History painting, rather than battle painting, was promoted as having the potential to be morally improving from within the Académie royale de peinture et de sculpture.

譏諷

LINE

Substance-Abuse

Der Wille für gelingende Hochaltrigkeitty has turned soldiers from heroes into perpetrators and victims of their uncontrollable emotions. As Mary Favret noted in her lecture at one of our workshops: nowadays more US Soldiers die from suicide than on the battlefields across the world.. Emotions can be lethal. It is difficult to live with

cinder

EXTOL

領(lǐng)先

evanescent

Early Modern Jokes on Fearing Soldiers. Puns play on that fear. In other jests soldiers are wittily assessing battlefield situations and in the process, inversely or not, demonstrate their composure and firmness as good soldiers. The paper argues that in an attachment perspective on humour, the jests bring the unspoken fear of the battlefield into the open for all to laugh at.

Congeal

https://doi.org/10.1007/978-3-663-00220-8 Yet, although fear of social exclusion reconciled most soldiers with the need to fight, the horrors of combat still loomed large. The chapter concludes with a description of the mental strategies employed by the troops to help them overcome their fear, before and during battle.