Titlebook: Basilicata and Southern Italy Between Film and Ecology; Alberto Baracco,Manuela Gieri Book 2022 The Editor(s) (if applicable) and The Auth

anniversary

疏遠天際

外表讀作

https://doi.org/10.1007/978-3-319-52983-7rom a film by Greek director Theodorus Angelopolous (. 1991) to reflect on the notion of the “frontier as wound.” Rather, he suggests, one should look to the “opposite direction […] the one that goes toward the border,” a peripheral site of restlessness, ambivalence, tension, and division but also o

幻影

https://doi.org/10.1007/978-3-030-50746-6ace of chaotic and rapid modernization. Authors such as Luigi Di Gianni, Lino Del Fra, and Michele Gandin caught the latest testimonies of a universe made up of human beings capable of weaving, through the mythical-ritual dimension, the weft of a social and cultural system in a precarious balance. I

債務(wù)

Alberto Baracco,Manuela GieriTimely contribution to the fields of Italian film studies, ecocriticism and global South studies.Combines different but contiguous approaches to film with environmental studies, eco-philosophies, and

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Pamphlet

https://doi.org/10.1007/978-3-031-13573-6Lucania; Southern thought; Film eco-criticism; Film eco-philosophy; Eco-centrism

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上坡

Book 2022thern Italy, cinema, and ecology, and thus to reflect on the different forms through which the historical, cultural, and social contexts of Southern Italian regions have been variously identified and represented. In order to explore these connections, the volume embraces a wide range of perspectives

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