Titlebook: Barry MacSweeney and the Politics of Post-War British Poetry; Seditious Things Luke Roberts Book 2017 The Editor(s) (if applicable) and The

Salivary-Gland

QUAIL

978-3-319-83407-8The Editor(s) (if applicable) and The Author(s) 2017

Flagging

使腐爛

追逐

Headstrong

會犯錯誤

lethargy

,Seeing and Being Seen: Serial Poetry and Surveillance, 1970–75,nticism and the New American Poetry. Through an extended interpretation of . (1972), this chapter considers MacSweeney’s portrayal of martyrdom and glamour in the lives of Shelley and Thomas Chatterton. Through a biographical reading of his relationship with Elaine Randell and the death of his frien

circumvent

,Into the Dangerous Decade: 1979–82,amining manuscript material and goes on to elaborate the political context of the turn of the decade. . takes as one of its subjects the ABC trials of whistleblowers and radical journalists in 1977–78. Through archival research, this chapter shows MacSweeney’s interest in these trials with reference

Lipoprotein(A)

Class and Representation: From , to ,, on MacSweeney’s ambivalent depiction of the unemployed, with reference to Marx’s famous description of the lumpenproletariat and to popular journalism about poverty in the North of England. The reading of the long poem . situates it within the context of the miners’ strike of 1984–85 and the politi