Titlebook: Barry MacSweeney and the Politics of Post-War British Poetry; Seditious Things Luke Roberts Book 2017 The Editor(s) (if applicable) and The

PIZZA

charisma

教育學(xué)

Books, Devices, Verbal Chicanery, and Cosmological Range,e Last Bud’ in the context of its publication in .. I detail the way the poem mocks and travesties the discourse of the magazine and establishes a dialogue with Shelley’s Alastor. The chapter concludes by tracing a set of allusions to Villon, and arguing for the thematic and conceptual coherence of MacSweeney’s early work.

委派

Strikers with Poems: From , to ,,econd half of the chapter focuses on the neglected book-length poem . and MacSweeney’s involvement with the London Poetry Society and the National Union of Journalists in the 1970s. It reads . alongside the work of E.P. Thompson and elucidates how the poem was abandoned at the end of the Grunwick dispute in 1978.

貝雷帽

,Into the Dangerous Decade: 1979–82,rt Hall, and examines the aesthetic history of representing class domination and the nation state in sexualised terms. The chapter concludes by reading . as a satire of the news coverage of the Falklands War and a critique of changes to the citizenship laws of the UK.

Oversee

Class and Representation: From , to ,, Maggie O’Sullivan and John James, and looks at his correspondence with Prynne. The concluding argument focuses on . and looks again at MacSweeney’s representation of the lumpenproletariat, this time in the light of the Meadowell riots in Newcastle, 1991.

冷淡周邊

ITCH

Delirium

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