Titlebook: Barrie Kosky’s Transnational Theatres; James Phillips,John R. Severn Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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,Barrie Kosky’s Grotesques and the Ecstasy of Theatre, not disappeared. His revivals of pre-1933 operettas have bucked against post-war scheduling and directorial trends that, in effect, endorsed the Nazis’ suppression of these works. In its non-intellectualism, the grotesque is a form of critique that can inhabit and employ the superficial and the gli

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Book 2021l, Australia’s first Jewish theatre company, to document this formative period in Kosky’s career. The book investigates the ways in which Kosky has created transnational theatres, through introducing European themes and theatre techniques to his Australian work or through bringing fresh voices to th

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2522-5324 career. The book investigates the ways in which Kosky has created transnational theatres, through introducing European themes and theatre techniques to his Australian work or through bringing fresh voices to th978-3-030-75028-2Series ISSN 2522-5324 Series E-ISSN 2522-5332

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Approximate Solutions: The Integral Method,vide something for everybody? I argue that Kosky answers this by recognising a diversity of tastes undergirded by a shared orientation towards the new. I end the chapter by drawing links to Kosky’s work in Berlin in relation to barriers to access to the arts.

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