Titlebook: Bargains with Fate; Psychological Crises Bernard J. Paris Book 1991 Springer Science+Business Media New York 1991 conflicts.play.William Sh

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Shakespeare’s Conflicts submissive, idealistic side, that dislikes cruelty and is given to loving-kindness and Christian charity. Shakespeare is afraid of his feminine side and employs “aggressive masculinity ... as a defense against it” (Holland 1966, 141–142); he can express tenderness and charity only when his aggressi

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“What Fools These Mortals Be”acing men are treated differently in the comedies than they are in the histories and tragedies. Since these are domestic plays that are more concerned with love than with power, the males do not have to be so aggressive. There is mockery of self-effacing behavior toward the opposite sex, whether the

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Othelloe is unfaithful, and Othello revenges himself upon Desdemona by murdering her in their marriage bed. Instead of having a protagonist whose self-effacing tendencies paralyze him in a situation that calls for aggressive action, we have in this play two characters who behave more aggressively than is w

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