Titlebook: Barbara Bodichon’s Epistolary Education; Unfolding Feminism Meritxell Simon-Martin Book 2020 The Editor(s) (if applicable) and The Author(s

TOXIC

https://doi.org/10.1007/978-3-642-74283-5entation and incompleteness as a handicap, I argue that, notwithstanding, silences can also be turned into a meaningful source of information about love and marriage and thus are methodologically relevant.

把手

描述

Derek M. Griffith,Emily C. Jaegers and paintings unfold the making of a female artist through a hybrid mode of self-presentation. These epistolary and visual self-projections emerge as ‘versions’ of Bodichon as an artist—complementing, overlapping and contradicting each other.

改變

笨拙的我

,Bodichon’s Epistolary Bildung: Learning, Narratives and Agency,tive agency. Teasing out the distinct significance of the letters written by Bodichon, those addressed to her and those that refer to her in the third-person, I point up the methodological challenge of having to study Bodichon’s epistolary Bildung partially by means of how others understood her.

cancellous-bone

顯而易見

,‘To Be Happy Is to Work, Work – Work – Work’: Affection, Creativity and Self-Fulfilment,ion of the pivotal axis feelings of friendship and affection among Bodichon and her female friends played in providing her with an epistolary forum for learning and self-discovery, where she justified women’s work in terms of creativity and self-fulfilment.

condescend

,‘Improbable That We Should Agree in the Choice of Husbands’: Love, Marriage and Silences,entation and incompleteness as a handicap, I argue that, notwithstanding, silences can also be turned into a meaningful source of information about love and marriage and thus are methodologically relevant.

heirloom

膽汁