Titlebook: Bakhtinian Explorations of Indian Culture; Pluralism, Dogma and Lakshmi Bandlamudi,E. V. Ramakrishnan Book 2018 Springer Nature Singapore P

不遵守

舔食

Dead Text or Living Consciousnesses? Bakhtinian Poetics in the Francophone African Context, of thinking of pragmatic language use, drawing crucial attention to the dynamic and subtle processes that go into the making of speech acts. In the realm of artistic expression in the novel, this dialogic orientation of language, following Bakhtin, translates as the animation of the literary corpus

CONE

Inculcate

–吃

,“You Yourself Are a Mosque with Ten Doors”: A Bakhtinian Reading of the Dialogic Tradition in India in the works of Kabir, Tukaram, Bulleh Shah and many others. It is argued that the defining features of . poetry such as accent on personal testimony, the emphasis on interiorization as a way of knowing and critique of caste system and Brahminic hegemony transform it into a dialogic site of dissent

macrophage

Animal as Hero: Narrative Dynamics of Alterity and Answerability in the Elephant Stories of ,,al and literary domains. The second part explores the possibilities of representing the elephant as a conscious, diligent and emotional being and problematizes simplistic notions of anthropomorphism. The paper argues how the elephant stories may be instrumental in generating affection, compassion an

摻和

出沒

Gesundheitskommunikation im Internetndia. Carnival as a practice and as a philosophical construct has had a very long history and still retains an immediate presence in Indian culture. The chapter points out the liberating potential and folk sensibilities in India are far beyond what Bakhtin had envisioned. The chapter concludes with

抒情短詩

Margrit Seckelmann,Marco Brunzela-incarnate, Abhinavagupta’s praxis of transgressive sacrality offers a more adequate framework for understanding the still Christian project formulated by Rabelais through the Abbey of Theleme: “Do what thou wilt!”.

不滿分子

Dominik B?llhoff,Winfried Kemmerling in the works of Kabir, Tukaram, Bulleh Shah and many others. It is argued that the defining features of . poetry such as accent on personal testimony, the emphasis on interiorization as a way of knowing and critique of caste system and Brahminic hegemony transform it into a dialogic site of dissent