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Titlebook: Badiou and American Modernist Poetics; Cameron MacKenzie Book 2018 The Editor(s) (if applicable) and The Author(s), under exclusive licens

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樓主: Enlightening
21#
發(fā)表于 2025-3-25 04:12:31 | 只看該作者
22#
發(fā)表于 2025-3-25 09:03:35 | 只看該作者
,Dezentralit?t und Selbstorganisation,m “mastery” in relation to the void. Concretizing Badiou’s notions as presented in “A Poetic Dialectic,” Eliot’s classic essay demonstrates the principles at play in Badiou’s thought, positing and dialectically emptying the notion of the masterful critic. In doing so, Eliot exposes the void of criti
23#
發(fā)表于 2025-3-25 13:25:33 | 只看該作者
Oliver Razum,Jeffrey Butler,Jacob Spallek affect a leap forward in his thinking. Emphasizing an obscure artistic practice referred to throughout that essay as “drawing,” Badiou uses a series of dialectics to push away from traditionally metaphysical aesthetics, seeking to collapse the void into an ineffable act. Identifying the similaritie
24#
發(fā)表于 2025-3-25 19:12:18 | 只看該作者
Migration und Migrationspolitik in Europa Chinese Written Character as a Medium for Poetry” to posit a radical interpretation of the word as a drawing with their conception of the ideogram. And yet the implications of such a graphic language work to collapse the metaphysics that would require a void in the first place. In effect realizing
25#
發(fā)表于 2025-3-25 21:41:09 | 只看該作者
26#
發(fā)表于 2025-3-26 02:23:31 | 只看該作者
https://doi.org/10.1007/978-3-319-95028-0T; S; Eliot; Ezra Pound; Wallace Stevens; American Modernism; Modernist poetry; Alain Badiou; inaesthetics;
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發(fā)表于 2025-3-26 05:57:55 | 只看該作者
28#
發(fā)表于 2025-3-26 09:25:27 | 只看該作者
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30#
發(fā)表于 2025-3-26 20:47:18 | 只看該作者
Contaminated Intentions: Tradition and the Individual Talent,m “mastery” in relation to the void. Concretizing Badiou’s notions as presented in “A Poetic Dialectic,” Eliot’s classic essay demonstrates the principles at play in Badiou’s thought, positing and dialectically emptying the notion of the masterful critic. In doing so, Eliot exposes the void of criti
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