Titlebook: BBC Wildlife Documentaries in the Age of Attenborough; Jean-Baptiste Gouyon Book 2019 The Editor(s) (if applicable) and The Author(s) 2019

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Christina Orphanidou,David Wongrogramme work, notably . (1953) and . (1953), contributed to creating a professional culture of television making, distinct from that of radio broadcasting and cinema. These two programmes placed the emphasis on television’s ability to show things and tell a story visually. The chapter then turns to

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Scalable Computing and Communicationslture of wildlife film-making. This involved developing the use of film and other pre-recorded material at the expense of live studio sequences, and publicly presenting film-making as a valid form of production of natural historical knowledge. A key moment in this part of the story is the 1963 film

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