Titlebook: B S Johnson and Post-War Literature; Possibilities of the Julia Jordan (Lecturer),Martin Ryle (Header) Book 2014 Palgrave Macmillan, a divi

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Pawe? Dunaj,Micha? Dolata,Stefan Berczyńskisentation. If, as critics such as Kaye Mitchell (2007: 56) claim, the novel’s sequences do not create radically different readings from one another, the mere fact of this multiplicity would not in itself cause difficulties in reader construction of character. B.S. Johnson’s prose style may be more r

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https://doi.org/10.1007/978-3-030-30443-0this recognisable genre in which fiction is mingled with autobiography. In particular, Saunders links the late nineteenth-century autohiografiction of writers such as Mark Rutherford, Samuel Butler and George Gissing to the subsequent emergence of literary modernism, seeing the developments pioneere

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Tadeusz Gospodarek,S?awomir Pizoń in pattern and eternity, but today what characterises our reality is the probability that chaos is the most likely explanation’ (ibid.: 17). Since ‘Life is chaotic, fluid, random’, Johnson asserts, ‘telling stories really is telling lies’ (14). Approvingly quoting words attributed to Samuel Beckett

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Introduction: Avant-Garde Possibilities — B.S. Johnson and the Sixties Generationseems to dominate discussions of the post-war British experimental novel: he has been seen, as Jonathan Coe has written, as ‘the one man avant garde’ of the 1960s. This collection of essays has grown out of one of a handful of symposia on Johnson’s work in the last five years alone, and essays on hi

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‘Like loose leaves in the wind’: Effacement and Characterisation in B.S. Johnson’s The Unfortunates s to perform this reconstruction in a particularly explicit and s elf-aware fashion. The narrative is composed of a series of bound sections contained within a box, all the sections but the first and last being readable in random order. They present Johnson’s reflections on the death of his friend T

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B.S. Johnson and the Aleatoric Novelng lies’ and a compulsion to seek a new form to represent the messy maelstrom of modernity. The novel mediates between wrestling with the fallibility of memory and the self-declared aim of faithfully articulating the unfortunate randomness of illness and loss. Johnson’s attempt to represent the ‘tru

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