Titlebook: Allusion in Detective Fiction; Shakespeare, the Bib Jem Bloomfield Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusi

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Rival Queens: Allusion to Sayers in Agatha Christie and Ngaio Marsh, falls into the category of “influence” rather than “allusion”, and that when Sayers left the detective genre her fellow “Queens of Crime” began to allude to her novels. This chapter includes a series of readings of these allusions, exploring the ways Christie used Sayers to position herself as a mo

遺傳學(xué)

十字架

pacifist

Erl?uterungen zur empirischen Untersuchungtty and difficult allusions found in detective fiction. It goes on to outline a major argument of this study: that the midcentury allusive tendency was exemplified in the novels of Dorothy L. Sayers, and that later novelists exercised the same allusive habit on Sayers’ works.

Hearten

M. Riquelme,R. W. Roberson,E. Sánchez-Leónginald Hill and Sujata Massey. These variously allude to Sayers’ novel in order to extend, reimagine, critique or subvert it, and the chapter argues that in the process Gaudy Night has become a canonical touchstone text for the genre.

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Affection

Introduction: The Detective Novel and the Textual Crisis,tty and difficult allusions found in detective fiction. It goes on to outline a major argument of this study: that the midcentury allusive tendency was exemplified in the novels of Dorothy L. Sayers, and that later novelists exercised the same allusive habit on Sayers’ works.

hedonic

,Let’s Have Eight Other Gaudy Nights: Tracing Allusions to One Novel,ginald Hill and Sujata Massey. These variously allude to Sayers’ novel in order to extend, reimagine, critique or subvert it, and the chapter argues that in the process Gaudy Night has become a canonical touchstone text for the genre.

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