Titlebook: Alessandro Scarlatti; Das kompositorische Sabine Ehrmann-Herfort,Gerhard Kuck Book 2024Latest edition B?renreiter-Verlag Karl V?tterle Gmb

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,überlegungen zu den Opern von Alessandro Scarlatti nach 1702, final part explores the introductory sinfonias; situations having a visual impact calling for instrumental insertions; instances that accommodate . recitative; the use in arias or ensembles of special instrumental colouring (wind instruments or instrumental soloists) or changes in meters and tempo,

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Historische und evolutive Dynamik im Oratorienschaffen von Alessandro Scarlatti,orio composition. The librettos of his first oratorios appear to be quite archaic and the tonal language still noticeably related to the recitar cantando, while in the later works the libretti seem to be moving, astonishingly, towards the metastasian model. Furthermore, the mature baroque tonal lang

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,?By the genius and abilities of Ales. Scarlatti?,tti influenced the genre like almost no other composer of his time. One characteristic of these cantatas for Roman patrons catches the eye: the exclusivity of the compositions for certain performance contexts. The cantatas were composed for the . and . of the Roman elite and unlike numerous other co