Titlebook: A Love for Nothingness, A Love for Death; The Metaphysics of D Alberto Castelli Book 2024 The Editor(s) (if applicable) and The Author(s),

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A Love that Kills: The Idiot,athological man of compassionate nature. However, it is possible that Dostoevsky himself did not completely grasp the ethical dilemma inherent in the narration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoin

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Romantic Agony: Young Werther and Jacopo Ortis,odern individualism. This paper intends to demonstrate that the tragic endings of Goethe’s Werther and Foscolo’s Jacopo Ortis. represent the aesthetic expressions of Dürkheim’s suicide classification. Goethe and Foscolo, accidentally, created heroes whose tragic action aesthetically reproduces the b

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The Orphans of Love,Duras’ . and Isabel Allende’s . exert upon their readers. While both texts concern a knotty tangle of characters searching for love in the wreckage of the 20th Century, central to the narrative is the enigma of the absence. Love is a muted passion, a dialectical interplay between presence and absenc

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