Titlebook: A History of Italian Cinema; Cinema Paradiso? Irmbert Schenk Book 2025 The Editor(s) (if applicable) and The Author(s), under exclusive lic

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incarcerate

https://doi.org/10.1007/978-3-531-92926-2896. For ten years Italian production consisted mostly just of short documentaries and newsreels. The first longer fiction film was not made until 1905 by Alberini; French productions dominated the market. Alberinis L.R.T.C.R. was already a . a small epic film treating a historical event: the victor

nepotism

https://doi.org/10.1007/978-3-531-92926-2th the rise of the United States and European countries. That concerned not only the economy but also the aesthetics, so that those outdated Italian genres no longer attracted domestic or international audiences. Therefore, at the end of the 1920s Italian fiction film production was near zero. Fasci

Liability

accomplishment

Gro?forschung in neuen Dimensionene subgenre of the . which went on—highly successfully at the box-office—until the 1970s. Its specific characteristic consisted of a permanent connection to social reality—underneath the comical effects—that permitted an ironical and often satirical look at customs and behavior of Italian society in

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Accolade

Irmbert SchenkComplete history of Italian cinema from 1895 until today.Concise introductions to political and social history of Italy.Cronological narration of the formation of genres and films

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