Titlebook: Aviation in the Literature and Culture of Interwar Britain; Michael McCluskey,Luke Seaber Book 2020 The Editor(s) (if applicable) and The

針葉

Deject

Individual

forestry

Spectre and Spectacle: Mock Air Raids as Aerial Theatre in Interwar Britainid precautions (ARP) drills in the form of mock air raids on British cities. These attracted curious and even excited audiences, conscious that they might be seeing previews of their own deaths. In combining spectre and spectacle, the RAF’s mock air raids underscore the ambivalent nature of airmindedness in interwar Britain.

拱形面包

When the Wolves Were Flying: , and Flight in 1930s Children’s Literatureht alongside the enduring wonder of aviation for the child, this chapter places . within the context of children’s interwar fiction and culture, arguing that this context forms an essential element in the cultural history of modern flight, its spectacles and its enduring significance.

一美元

可忽略

2946-4838 ers and artists.Investigates the concept of ‘a(chǎn)irmindedness’ .Aviation in the Literature and Culture of Interwar Britain .looks at the impact of aviation in Britain and beyond through the 1920s and 1930s. This book considers how in this period flying went from a weapon of war to an extensive industry

liaison

N. B. Backhouse,A. G. Fellouris33). These writings display an airborne variant of what Edward Said has described as the ‘consolidated vision’ of the Victorian and Edwardian imperialist, and show how travel by aeroplane further elevates and mobilizes this perspective, as the machine and eyes of the imperial agent traverse the colonized and newly consolidated landscape.

AORTA

‘A Solar Emperor’: Robert Byron Flies East33). These writings display an airborne variant of what Edward Said has described as the ‘consolidated vision’ of the Victorian and Edwardian imperialist, and show how travel by aeroplane further elevates and mobilizes this perspective, as the machine and eyes of the imperial agent traverse the colonized and newly consolidated landscape.

BLA