Titlebook: Automata and Mimesis on the Stage of Theatre History; Kara Reilly Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited

Intellectual

Telekooperation, eCollaboration,he twentieth century, the world of R.U.R. is distinctly dystopian. Over the decade that passes during the course of the play, Robots replace human beings as workers in all areas of industry, including in the military. These replacement Robots allow humans the ultimate leisure time. However, certain

感染

Automata and Mimesis on the Stage of Theatre History

神圣將軍

Automata and Mimesis on the Stage of Theatre History978-0-230-34754-0

Euphonious

Genome

From Aristocrats to Autocrats: The Elite as Automata,rt and nature as delightful flirtations. In particular, nature’s water from mountain springs is harnessed by art’s machinery in order to power water games or . also known as . or water jokes. Aristocrats and elite were actors playing together in the ornate grottos of Orpheus, Venus, Neptune, Actaeon

高爾夫

,Olympia’s Legacy,canny coincides with the Enlightenment era, as Terry Castle explains, the ‘“invention of automata” was also an invention of the Uncanny.’. The advent of Enlightenment rationalism gives birth to the grotesque, as though the uncanny were the perverse irruption of so much rationalism.. Olympia is a len

存在主義

lattice

nations of Iconoclasm‘s fear that art might surpass nature, the Cartesian mind/body divide, automata as objects of courtly desire, the uncanny Olympia, and the revolutionary Robots in post-WWI drama.978-1-349-31243-6978-0-230-34754-0

saphenous-vein

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