Titlebook: Autofiction in English; Hywel Dix Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Life writing.Memoir.Autobiography.Interte

遵循的規(guī)范

https://doi.org/10.1007/978-94-010-3459-3es in the publishing industry; and the pervasive nature of so-called ‘reality’ (or confessional) genres across different media. Finally, arguing that there is such a body of work as autofiction in English, the chapter raises the question of whether the concept itself is utilized and applied in Engli

deface

https://doi.org/10.1007/978-3-663-13378-0s and Kay’s incorporation of various textual forms in their work is not only representative of their own hybrid identities, but also creates a space for imagining Welsh and Scottish identities in ways which are inclusive of the many diverse cultures that exist within these nations. In comparing the

arabesque

,Schluss- und übergangsbestimmungen,city in any illness narrative. The first part details the ways in which the act of narrating the experience of illness through autofictional pathographies produces a provisional, varying and performative self while the second part identifies a series of autofictional theatre and dance performances t

怒目而視

Deutsche Reichsbahn-Gesellschaftreoccupation with what it means to be an author), it can be argued that as much as autofiction emerges from within the tradition of postmodern metafiction in the United States, it might make sense to consider metafiction itself as a subcategory of autofiction. At the heart of the chapter is a study

Fortuitous

judiciousness

泥瓦匠

Illness Narratives and the Consolations of Autofictioncity in any illness narrative. The first part details the ways in which the act of narrating the experience of illness through autofictional pathographies produces a provisional, varying and performative self while the second part identifies a series of autofictional theatre and dance performances t

煤渣

Eye to I: American Autofiction and Its Contexts from Jerzy Kosinski to Dave Eggersreoccupation with what it means to be an author), it can be argued that as much as autofiction emerges from within the tradition of postmodern metafiction in the United States, it might make sense to consider metafiction itself as a subcategory of autofiction. At the heart of the chapter is a study

不理會

Book 2018uthorial self-reflexivity beyond that typically associated with postmodernism...By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up n

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Introduction: Autofiction in English: The Story so Far,cal interest in Anglophone scholarship has been relatively slight until the recent past. This means that there has been little critical discussion of the field in English, and few identifications of Anglophone writers as themselves practitioners of autofiction. Having first discussed different ways