Titlebook: Autobiography and Authorship in Renaissance Verse; Chronicles of the Se Elizabeth Heale Book 2003 Palgrave Macmillan, a division of Macmill

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,‘To m?k my self to be known of many’: miscellanies and the well-formed gentleman,the authorial self. In the second section of the chapter, I shall discuss how, in the miscellanies of George Gascoigne and George Turbervile, amorous verse sequences expose anxieties about a dangerous, feminized, instability in language that calls into question the inscription of the well-framed, ma

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,The ‘outward marks’ and the ‘inward man’: Thomas Whythorne’s ‘songs and sonetts’,mas Wh?thorne, gent.’. Its title thus unmistakably echoes Tottel’s . of 1557, but also points to Whythorne’s desire to narrate his life not only as a context for the verse, but in terms of a conventional model, that of the ages of man.. In the process of reviewing his life in terms of this, and othe

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Narratives of experience,himself as both deserving and unfortunate. Like Whythorne, others found that even after the ‘first brunt, and ?k difficulty I Of Vertewz’ all did not become easy as the precepts suggested should happen (see p. 56 above). Enterprise is often associated with failure to thrive in these verses; an ideol

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,‘My name is Will’: ,speak here.’. Anne Ferry in her detailed study of the language of ‘inwardness’ in sixteenth-century verse, associates what she sees as the innovation of Hamlet’s inwardness with the writing of the .: ‘both the nature of poetry about inward experience and the notion of what is in the heart rendered b

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,The ‘outward marks’ and the ‘inward man’: Thomas Whythorne’s ‘songs and sonetts’,ollection of settings for his own verses in . in five part-books. This volume is one of the earliest surviving examples of printed music in England.. In approximately 1576, he put into its present form a manuscript collection of his verse accompanied by often lengthy prose explanations of their occa