Titlebook: Authority and Authorship in V.S. Naipaul; Imraan Coovadia Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 Autorschaft

永久

意外的成功

Introduction Authorship and Authority,e key problem in V. S. Naipaul’s career, from his Caribbean comedies of the late 1950s and sub-Saharan fiction of the 1970s, through the travel writings and his more recent essays and narratives, including . (2004) and . (2007).

結(jié)果

V. S. Naipaul and the Muslims,th that has occupied a good deal of Naipaul’s attention. His writings on the subject, like his depictions of sub-Saharan Africa and his pronouncements on Caribbean culture, have polarized his readership. Naipaul has devoted two separate books to Islam. The state of the religion in Muslim Asia is charted in . (1981), a journey reprised in . (1998).

小溪

https://doi.org/10.1057/9780230622463Autorschaft; fiction; structure

AGATE

Palgrave Macmillan, a division of Nature America Inc. 2009

FACT

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感情

植物學(xué)

機(jī)密

Geschichte der Sozialen Arbeit 1s commune at Christina Gardens outside the capital of Port-of-Spain. The case, reported by V. S. Naipaul for the London . in 1972, was the fictionalized subject of Naipaul’s novel . (1975) as well as an expanded essay, “Michael X and the Black Power Killings in Trinidad” (1973–79).

enhance

Deutschland nach dem 2. Weltkrieg,lized India—those familiar Naipaulian postcolonial demons of “rage,” “anarchy,” “mutiny”—and yet which, as Naipaul surprisingly decides, were also busy creating a new, better, and more modern society.