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Titlebook: Australian Animation; An International His Dan Torre,Lienors Torre Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 cartoons.

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樓主: MIFF
41#
發(fā)表于 2025-3-28 14:34:27 | 只看該作者
42#
發(fā)表于 2025-3-28 20:52:05 | 只看該作者
Handbuch der Physik‘ Encyclopedia of Physics was during this era that Australian animation oscillated between isolationism and the acknowledgement of the growing influence of overseas studios, in particular the Fleischer Brothers and Disney. It was also an era that saw a large number of European migrants settle in Australia, bringing with them a fresh animation aesthetic.
43#
發(fā)表于 2025-3-29 02:00:03 | 只看該作者
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發(fā)表于 2025-3-29 03:15:49 | 只看該作者
45#
發(fā)表于 2025-3-29 07:33:54 | 只看該作者
Pat Sullivan and ,well as many of the other talented animators at the Sullivan studio) probably played a more balanced role in the Felix the Cat enterprise. Felix the Cat’s transition into synchronised-sound films is detailed, as well as previously unpublished information surrounding the production of the 1950s Felix the Cat television series.
46#
發(fā)表于 2025-3-29 12:19:31 | 只看該作者
Early Australian Animators: Isolation and International Influences, was during this era that Australian animation oscillated between isolationism and the acknowledgement of the growing influence of overseas studios, in particular the Fleischer Brothers and Disney. It was also an era that saw a large number of European migrants settle in Australia, bringing with them a fresh animation aesthetic.
47#
發(fā)表于 2025-3-29 19:07:41 | 只看該作者
48#
發(fā)表于 2025-3-29 23:15:28 | 只看該作者
Alex Stitt: Animation by Design,n the 1950s. He later set up his own studios producing (along with a team of other talented animators) countless animated advertisements, short films and ultimately two animated feature films: . (1981) and . (1983).
49#
發(fā)表于 2025-3-30 01:11:55 | 只看該作者
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