Titlebook: Austerity and the Public Role of Drama; Performing Lives-in- Victor Merriman Book 2019 The Editor(s) (if applicable) and The Author(s), und

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The Public World: An Idea Under Pressureomesticating the evolving political economy of the liberal state project identifies a liberal spectrum, including classical liberalism, neo-liberalism, and a bifurcated post-liberalism, taking opposing radical and conservative forms.

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Drama in Public Worldsith attention to issues of gender, race, and class embedded therein. A post-polity undergoing neo-liberalisation is identified as the ground on which new polities, new public imaginaries, must be wrought.

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Beyond Repair: A Critical Performance Manifesto’s potential as critical performance of lives-in-common. Specifically, it is designed to show how Drama’s ‘ethical encounters’ may speak explicitly to new forms of public consciousness, new democratic practices, and institutions in an emergent post-polity.

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ived readings of classical and radical scripts and performanThis book asks what, if any, public role drama might play under Project Austerity – an intensification phase of contemporary liberal political economy. It investigates the erosion of public life in liberal democracies, and critiques the att

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The Logic of a Quantum Mechanical Systemral individualism, in the writings of Hilary Wainwright (2018). It takes up Roger Brown’s (2018) demand that universities and other higher education institutions embrace and enact a public role as enablers of democratic culture.

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Confronting Corporate Neo-liberalism in Jim Nolan’s , (2016)citing Arthur Miller as an inspiration. . (2016) stages tensions between neo-liberal corporate ‘messaging’ in managing commemoration of the anti-imperialist 1916 rebellion, and the efforts of the staff of a small-town newspaper to explore contradiction in local memories, while in the throes of corporate takeover.

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