Titlebook: Austen After 200; New Reading Spaces Kerry Sinanan,Annika Bautz,Daniel Cook Book 2023 The Editor(s) (if applicable) and The Author(s), unde

受辱

Pathogen

,‘Gentle humour’ to ‘savage satire’: Austen Obituaries on Her Death, Its Centenary and Bicentenary,tly based on the novels. By 2017 Austen had largely become a popular icon independent of her works. The chapter explores each period’s version of Austen, discusses what she is seen as being about and associated with and asks to what degree her public reputation is based on the novels, spin-offs, her life, or on cultural construction.

持續(xù)

Gullible

falsehood

社團

https://doi.org/10.1007/978-0-387-49957-4 the popular culture side of the Austen fandom, which for me was always led by the books. I feel myself being drawn into writing about the books now, and trying to persuade other people to read them, even as they consume other media related to Jane Austen and her work.

關(guān)心

Book 2023her novels. The volume begins by looking at Austen’s popular appeal and at how she is consumed today in diverse cultural venues such the digisphere, blogosphere, festivals and book clubs. It then offers new approaches to the novels within various critical contexts, including adaptation studies, fan

FEIGN

Wearing Austen,ate property could bequeath clothing to heirs of their choice. Austen’s own depictions of feminine legacies make?the presentation of Austen’s novels as a maternal bequest of clothing in many ways apt. Yet this presentation threatens to deprive some potential Austen readers of the inheritance.

cathartic

Acumen

A topology for the space of foliations,be considerable advantages in working on such a popular canonical author.” The present collection goes further to try to dismantle the “popular”/ “academic” divide so that our conversations can merge and forge a more open community. Many events that occurred throughout the bicentenaries have inspire