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Titlebook: Augmented Reality Art; From an Emerging Tec Vladimir Geroimenko Book 20141st edition Springer International Publishing Switzerland 2014 Aug

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樓主: 哪能仁慈
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發(fā)表于 2025-3-28 16:53:12 | 只看該作者
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發(fā)表于 2025-3-28 20:14:38 | 只看該作者
Lecture Notes in Computer Sciencen of virtual media, it merges real-time pattern recognition with goggles, finally realizing William Gibson’s sci-fi fantasy, or handheld devices. This creates a welding of a form of real-time video and virtual reality, or an optically registered simulation overlaid upon an actual spatial environment
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發(fā)表于 2025-3-29 01:00:06 | 只看該作者
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發(fā)表于 2025-3-29 11:47:52 | 只看該作者
Higher Order Functions for Kernel Regressionart can be created and experienced. This is particularly true in the case of digital dance performance, as well as the digital augmentation of images to create performative gallery experiences. This chapter undertakes an examination of the use of augmented reality in recent examples of digital perfo
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發(fā)表于 2025-3-29 18:52:43 | 只看該作者
https://doi.org/10.1007/b137549 installations. Based on an analysis of the author’s experimental paintings and sculptures, presented in his solo exhibition . and the outdoor installation ., it deals with a particular type of augmented reality paintings that integrate gallery-quality art prints of digital paintings with augmentati
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發(fā)表于 2025-3-29 23:41:12 | 只看該作者
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Parallel Implementation and Computer Time,ternet connection. The focus of the research is on the notion of ‘wilderness onticology’ by Levi Bryant, and the ideas of ‘hyperobjectivity’ by Timothy Morton, while examining artworks by George Ahgupuk, Alvin Lucier, Mark Skwarek, Nathan Shafer, v1b3, and John Craig Freeman..Most of the conclusions
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