Titlebook: Audrey Wood and the Playwrights; Milly S. Barranger Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 America.stage.the

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Jonathan Alexander,Mack Mccoy,Carlos Veleztoo busy looking for a job to be concerned about what was later called the glass ceiling. She knew that most women in theatrical offices labored as telephone operators, receptionists, and typists in undistinguished and badly paid jobs. Even in the mid-1920s, when Rachel Crothers, Zo? Akins, Rose Fra

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Willy Christian Kriz,Thomas Eberlefrom the Chicago tryout of . in late 1944 to his family home in St. Louis and consented to an interview with a local reporter originally from Independence, Kansas. The playwright and the journalist struck up an intense friendship (some allude to a brief sexual affair) based on mutual interests and s

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Manipulation Through Gamification and Gaminge had taken chances on the early writings of Tennessee Williams, Robert Anderson, Carson McCullers, William Inge, and Arthur Kopit. Waiting in the wings that season were ., the sixth play by Irish playwright Brian Friel to be represented by Audrey in North America. . by Arthur Kopit, A . by Christop

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Larissa Hjorth,Ingrid Richardsons and nurtured several writers from the National Playwrights Conference in Waterford, Connecticut. As a senior executive at ICM, she advised the less experienced agents and took on special projects and a few unsolicited clients. Brian Friel and David Storey had arrived in her office by means of tele