Titlebook: Audiovisual Translation in a Global Context; Mapping an Ever-chan Rocío Ba?os Pi?ero,Jorge Díaz Cintas Book 2015 The Editor(s) 2015 transla

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The Young Galileo and the de Motun screen spoiling the viewer’s pleasure; a double-edged sword that Marleau (1982: 271) once defined as ‘.’, a necessary evil. Nonetheless, the cinema is an industry and all industries are oriented to consumer satisfaction. It therefore seems logical to expect that someday, someone would find a way o

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Galileo and the Equations of Motiony few works written on the topic. In the case of subtitling, this is mainly because the majority of subtitlers tend to work on a freelance basis. Since contractors work alone, independently and very frequently in isolation, it is difficult for outsiders to gain an understanding of their profession a

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The Room, the Universe And the Gap,rkowska 2010). This is part and parcel of a greater awareness concerning the needs of the deaf and hard-of-hearing at both European and national levels. Indeed, Directive 2007/65/EC of the European Parliament and the Council (Web 1) — an amendment to Council Directive 89/552/EEC on the coordination

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2947-5740 ome of the most representative areas currently being researched in this field across the globe. The book discusses theoretical issues and provides useful and practical insights into professional practices.978-1-137-55289-1Series ISSN 2947-5740 Series E-ISSN 2947-5759

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