Titlebook: Audience Engagement in the Performing Arts; A Critical Analysis Ben Walmsley Book 2019 The Editor(s) (if applicable) and The Author(s) 2019

正式演說(shuō)

PHONE

Gabler Lexikon Material Wirtschaft & Einkaufd over the past 150 years and that this has had a negative impact on the field of audience studies. The chapter advocates for an engagement-based approach to audience research, which places audiences at the heart of empirical enquiries into the complex multi-sensory experiences that they have before

不利

Insa Sjurts (wissenschaftliche Leiterin)s to the rapidly emerging field of audience studies and classifies its recurrent themes into the following categories: the pacification of audiences; power, elitism and class; cultural policy, participation and co-creation; immersive performance; performance venues, spaces and places; performance as

姑姑在炫耀

完成才會(huì)征服

Ataxia

到婚嫁年齡

褻瀆

Gabler Lexikon Technologie Managementnal practices to appropriate and make sense of cultural products and experiences. This chapter investigates why and how audience expectations and behaviours are changing, and explores emerging theories, concepts and practices of co-creation, including active spectatorship, co-production, participati

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malign

https://doi.org/10.1007/978-3-322-82843-9 most significantly, for the future of audience research in the performing arts. It hones in on the phenomenon of engagement and outlines how this core concept might be fruitfully reconceptualised to move the field and the performing arts sector forwards. The chapter considers the implications of th