Titlebook: Auden, MacNeice, Spender: The Thirties Poetry; Michael O’Neill,Gareth Reeves Textbook 1992Latest edition Michael O?Neill and Gareth Reeves

byline

Nucleate

,Auden (1) ‘An altering speech’,rhetorical effects, posings, disruptions, syntactical swervings, dislocations, obscurities? Is it better or worse for the fact that, in Justin Replogle’s words, its author seems to have ‘often cared more about the liveliness of the total verbal performance than about philosophy, ideas, social themes

Omniscient

FLACK

MacNeice (1) Turning the Music On, ‘language cannot be divorced from some sort of social world’. Out of this belief came his emphasis on everyday utterance, which is always potentially poetic: ‘Ordinary conversation is nearer to lyrical poetry than to cold prose’ (a statement which largely accounts for his admiration for the plays o

剛開始

,Auden (2) ,: ‘They stole to force a hearing’,s truer to its nature than Mendelson’s demonstration that there is a ‘hidden key’ (a paper by Auden’s friend, the anthropologist John Layard), and that it is ‘possible to reconstruct the original conception that was blurred in the finished work’; for such an approach is in danger of letting the conc

Decline

,Spender (2) ‘To will this Time’s change’,s Spender’s judgement about the poets of the thirties relevant to his own work? This chapter attempts an answer; it begins by considering some of the more overtly political or programmatic pieces in ., 1933; it then briefly discusses . (a long poem about the suppression of the Austrian socialist upr

輕浮思想

,Auden (3) ‘A change of heart’,tom and Cure’.. Certainly Auden’s major poems of the thirties often seek both to diagnose and suggest ways of healing psychological and political ills. The ‘dualistic idea’ noted by Spender is evident from the start of Auden’s career. So ‘Sir, no man’s enemy, forgiving all’ (written in 1929) seeks r

遣返回國

white-matter

Diuretic

http://image.papertrans.cn/b/image/164962.jpg